Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. The 31 year old part time musician has mostly been found on the contest stages in recent years, taking first in the National Bluegrass Banjo Championship twice, and in the RockyGrass, RenoFest . The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. Alternates can range from standard designs out there in the banjo world, old or new, or a custom. They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. The financial strain became too much and the company sold in 1940 to Gretsch. I'm thinking it was made by the Iida folks for a NAMM show or something. The examples weve seen vary from the Gibson catalogs quite a bit. Information gleamed from the Mandolin Cafs website over the years. It is not clear how Gibson decided to set their nut widths and neck thicknesses. Please see the, Epiphone: Current Serial Number Information, Gibson J-35 & Advanced Jumbo Flat-top Acoustic Guitars, Gibson Jumbo Deluxe and J-55 Flat-top Acoustic Guitars, Gibson J-45 and J-50 Flat-top Acoustic Guitars, Gibson Southern Jumbos and Country Westerns, Gibson J-160E Flat-top Acoustic-Electrics, Gibson CF-100 Flat-top Acoustic-Electrics, Gibson MK Series Flat-top Acoustic Guitars, Gibson L-5S Solid Body Electric Guitars, Guitars & Stringed Instruments General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins, 41530 Transition from 12 to 14 fret necks, 1 Banjos from various contracted builders, 2028 Earliest reference to Forrest Dale VT, 30620 Symphonie, Sultana, and Senorita introduced, 35341 Gretsch purchases Fred Bacon Banjo Company. Similar to A-2 but with snakehead headstock, blonde finish, b/w binding, and A2-Z on the label. Serial Numbers. The Gibson LG series of flat-top guitars were developed as the natural evolution of the earlier L-Series. Banjo Headstock Designs. The standard "Huber' shape, the popular "Double Cut" shape or the "Fiddle Cut" shape. 1980 $1249 By late 1980, the Gibson deluxe tuners with Crank button, and Posi-Lok strap button were added. Mismanagement was so severe during the final Norlin years that the Gibson Guitar Corp. was within 3 months of going out of business when it was bought by young Harvard Business grads: Henry E. Juszkiewicz, David H. Berryman and Gary A. Zebrowski in January of 1986. The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. Larger 2.25 wide by .140 laminated maple bridge plates replace 1 7/16 x .125 solid maple bridge plates, Change the body shape to square shoulder dreadnaughts, Injection molded .075 thick styrene pickguard replaces the older .025 thick celluloid pickguard, Plastic bolt-on bridge replaces the rosewood bridge, White pickguard with Gibson logo screwed down to the top. Cherry Sunburst is still available. Scott Zimmerman may be able to shed some light on this. Deering Gabriella 5-string banjo headstock. The original price in 1942 was $45. 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural. Like the SJ-100 of the same year, the J-55 had a stair-step headstock that persisted for only 2 years. If you want to use any of this information: By the records, between 200 and 300 were built. See also: Gibson J-160E for more historical context. The braces were generally thin and numerous compared with other manufacturers. Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. Gibson hoped to score the same type of success that had occurred with Lloyd Loar in the 1920s: redefining the acoustic guitar for generations to come. Why not post a little tune with it. The first group in late 1936 had larger soundholes and long scales: 25 1/2. The selected tuners varied randomly by model and year. The 1975 price was $439. ECL changed its name shortly afterwards to: Norlin Inc. for ECL president Norton Stevens and CMI president Maurice Berlin. It shared many features with the L-5 archtop electric acoustic: The neck was basically an L-5 neck in scale, section and detail. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. the teacher or distributor. Mark Johnson; Regular Hours Mon-Fri: 10:00am-4:00pm Extended Hours January-April 8:30am-5:00pm; 239 West 400 North, Lindon UT; 801-785-3161 Though it was discontinued in 1942, the last Advanced Jumbo left the Kalamazoo plant in 1940. which do not feature a paper label. The 1975 price was $879. Like all other companies, there are exceptions. Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. There is a utility market though. ARCHIVED TOPIC: Vintage Kay Company Banjo - Need Help Identifying Model, Please note this is an archived topic, so it is locked and unable to be replied to. CLR, Classic guitar with Indian rosewood back and sides, decorated binding, gold tuners. According to the Gibson catalog, natural finish was the only option in 1939 but we are told that at least 2 examples exist of a cherry sunburst from the same period. Wiley Morris of the Morris Brothers Hillbilly Band and Charlie Monroe (Bill Monroes brother) took to the instrument for its potential in the roots of Bluegrass music. Other attempts by Gibson to make-do with the materials available to them include laminated maback and sides finished in a dark mahogany stain and a few were built with a laminate maple back and a mahogany top. Introduced 1967, Basically an more economical LG-0. MK-35-12 models were only made in 1977. This is a high-quality instrument. In late 1 the use of factory order numbers was discontinued. In mid 1944 bookmatched two piece Sispruce tops reappear. However there were and are many different types, most of which can be found on this page. Timing is everything In 1969 the Gibson parent company: Chicago Musical Instruments (CMI) was acquired by the South American brewing conglomerate: E.C.L. The Mark Series guitars were particularly interesting among the Gibson flat tops made in the 1970s due to their unique bracing. Gretsch was contracted to make banjos for them. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. There were 1424 made. Maybell was a Slingerland brand name. Instruction * ConcertsJams * More Only about a dozen were made. made unmarked banjos for others to sell as well. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. You have your choice of 3 different peghead shapes. The 5th string is a crucial distinguishing characteristic of the five-string banjo, both in the instrument's appearance and in the sound of the music. Bodies: Rosewood, oak, mahogany, koa and maple. In 1923 it appears that Gibson began to assemble A-2s with left-over blonde tops from A-3s. MK-81 models were rosewood back & sides, ebony fingerboard with figured abalone block inlays & gold plated hardware. . 1934 was in the depth of the depression, and at $60 without a case, most families put food ahead of guitars. The headstock shape is very similar and it has the hexnut . Skip to main content. Mythology has it that the Southerner Jumbo was specifically targeted at the Southern market honoring rising Country music trends. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. Terms of Use | Privacy Policy | Copyright 2023 Banjo Hangout. 585 Grand Concert: rosewood back & sides, MOP, colored wood appointments and a Tree-of-Life fretboard inlay. I'll have to record it and post a tune. The story of how Greg Deering came to own the over 130 year old Vega trademark is one of childhood dreams and an unmissable opportunity. 1973 $895 L-5S a few instruments shipped and cherry sunburst is the only available finish. In 1947 a natural finish J-45 was finally offered and given the designation: J-50. The model started production in 1938 as Gibsons top-of-the-line flat top guitar. All listed sizes are for 12 fret to body models: These dimensions were similar for all Larson made instruments. Tuners, hardware and tailpieces were probably purchased from Lyon and Healy who had a factory just down the street from the Larson shop. To most people all banjos look (and sound) the same. ss stewart presentation banjo - Google Search. Sunburst finish changes slightly: a cremona brown fading from the center amber to a reddish brown perimeter. The individual artist's touch on the . Welcome to the Vintage Banjo Maker, please do sign up for email updates to keep in the loop about new additions to our research coming soon! For example, one head might sound right for one player on a five string banjo, but be disappointing on another players tenor banjo. This should be considered a guide to get you within a year of the correct date. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. Banjo serial numbers: During the 1920s, Gibson instruments were made in lots of 40s (for the most part, this procedure continues today). The 1970s are viewed by many collectors and players as the low point of Gibson manufacturing. Pearl twin parallelogram inlays, Bridges: Rosewood belly-down. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. There's a small snag in the outer pocket webbing - otherwise it's like new. Introduced is the year of introduction. I like it. Jun 24, 2020 - The Art of Banjo Headstocks. A New Leaf from Steven Moore. The following numbers are the earliest known serial number for the year listed. By 1941, either natural or sunburst were available. A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. 1955: Gibson stopped scalloping the bracing it was faster to produce but not as strong. The final production versions had a double-braced red spruce top and rosewood back and sides with a sunburst finish. USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. Augustino & Thomas LoPrinzi Guitars usually have the date of manufacture on the label. Because there are few of these instruments around, little has been written about them, though some did find their way into the hands of influential artists of the day. Thinner cog gears with no bevel on the edge of the cogs. The electronics cover on the back was matching solid figured maple. Starting in 1923, models included: the Silver Bell, the Super Banjo and the Blue Bell. In any event, these should be used only as a guide and not assumed to be absolutely correct. FLC, Flamenco guitar with Canadian cypress back and sides, friction pegs (machine heads on some examples). Gibson TP-6 tailpiece became standard. Steel Guitar. You may, . It appears that many mandolin owners of earlier models chose to upgrade their bridges to the fancy new adjustable models after 1921. Most Free or royalty-free photos and images. There were 2 tone bars and a treble side X brace with a 102 degree angle about 1 below the 4 soundhole. The pot fairly screams Iida to me. Depending on the selected source, there is disagreement about these numbers. The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. 1968: Changed to a bottom belly bridge and 1960 style pickguard, 1969: Changed to a square shoulder dreadnaught, Original version: solid mahogany back but laminated mahogany sides, 1 piece mahogany neck & 17 degree headstock angle, Bound Brazilian fretboard with trapezoid inlayed markers, Individual Kluson tuners with white buttons later: keystone Pearloid buttons, P-90 single coil pickup with adjustable pole pieces. It appears to be all original except for the bridge, which appears to be a banjo bridge crudely slotted for 8 strings, and the head, which is probably plastic. It appears that they experimented right up to the point of discontinuing the line. There are a few examples of A-2Zs with black tops, though this was probably used to cover some imperfection in the selected tops. There were 1229 made. . . These were Gibsons first flat-top cutaways. Customers can choose from these shapes or provide an alternate. Gold War era logo - This type is called "Banner logo". Gibson Banjo Serial Number Factory Order Number Information; Pre-war banjos, Flathead, Mastertone. First factory order number (FON) on neck block of J45s in 1942 was 907 and 923. Buy in monthly payments with Affirm on orders over $50. The pickguard was longer than earlier models and it had a moustache bridge (though slightly smaller and less ornate than that used on the SJ-200). Sunburst was the only finish available for the J-45 until much later as the sunburst finish can hide flaws in the wood; this was a significant advantage during WW2 when clear wood was being used for the war effort. middle-sized, chrome tuners. Other similar details include: single-cutaway body, ebony fingerboard with block inlays, flowerpot headstock inlay, L-5 tailpiece with contrasting silver on gold with L-5 engraving (changed to TP-6 in 1978) and multilayer body binding throughout. During the period of 1909 through 1920 Gibson produced large numbers of mandolins. Identify vintage banjo fleur de lis inlays on headstock & carved heel . By the end in 1985-86, Gibson was basically down to the Les Paul model alone. To complicate matters, the Larson brothers appear to have used different numbering techniques for different brands that they supplied. This information is approximate and has not been verified by the LoPrinzi family. As for how I came to own the instrument, my grandmother's cousin was an instrument collector. Never seen one with an inlay on the back of the neck. Occasionally the labels have fallen out or been removed during repairs making it a bit trickier to date the instruments. The USA distributors in the 60s and 70s used their own serial number systems and we do . thin heel footprints as shown below in the second row of pictures: J. It took Gibson 2 years to develop their response: The Jumbo of 1934. See more ideas about banjo, guitar inlay, ukulele. The further down the headstock the peg is, the shorter it will be. Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. RRRR = Ranking number (may be more or less digits) Example: 3021234 = Samick Korea / 1993 / February / unit 1234. The FON is the only identification number on Gibson's lower grade models (like the ES-125, ES-140, J-160E, etc.) The 1975 price was $659. These appear to be the easiest to find and quite reasonable to buy. The headstock carried an inlayed script Gibson. Any dealer would want to find this as part of an estate sale and put it out to see what the market would bear - but none would have high hopes for its value. For example: B&D had several un-numbered models between 1913 and 1920. $ 5,719.00 $ 5,149.00. See the notes below. The bridge were early simple rectangular with through-saddles. They were well suited for orchestral arrangements as well as individual play and accompaniment. Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 . There were many name variations for The Bacon Banjo Company, Inc. but it remained in Fred Bacons name from 1920 until the company closed in 1938. The first number of the sequence indicates the decade of production, followed by the three digit day of the year, and finally the year. In 1987, after the Gretsch family had re-acquired their name, re-introduced the B&D Silver Bell but the market didnt seem to care. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. Between 1975 and 1979, Gibson worked with Dr. Michael Kashas acoustic theories for guitar and Luthier Richard Schneiders design applications to create a unique instrument for the Gibson acoustic lineup. A Style mandolins were symmetrical and shaped like a teardrop. The first Gibson J45 guitars were only slightly different from the discontinued J-35. By 1939 the 3 tone bar system was reduced to 2 tone bars and the angle of the X braces change to approximately 95 degrees. The early models had shallow neck sets that increased in angle around 1908. Slanted mid 1940's Gibson Logo. I have owned a beautiful Kay company banjo for over 30 years. Early 1970's block shaped no dot over the "i" closed "b" and . The flood of returning soldiers with a broader world-view brought new musical tastes and new hopes for the future. The banjo's fingerboard is where the magic happens. The fretboard was bound but without extension and The Gibson was stamped into the tailpiece cover. Blake507 - Posted-12/26/2013: 15:42:17. The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. 1959: Larger crown frets and the adjustable bridge. Gold-plated tuning gears, LOTS of abalone inlay. Silkscreen logos - Low end models. I'm leaning more in that direction. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. 519,409 In 1894, he patented this wild banjo with a neck that folds in on itself at the 10th fret in order to facilitate transportation. A: One of the easiest ways to determine the age of your banjo is to inspect the serial number, if it has one. Saga. The early models had shallow neck sets and low bridges that increased in angle around 1908 with taller bridges. The headstock had a black wood face veneer. The focus of the site is antique and vintage banjos and mandolins, but there are . Format: 2 (Identifier) YY (Year) XXXX (Numerical ID) Example: Serial number . The ones up until 1924 had either at best a ball bearing tone ring -- spring loaded ball bearings with springs to keep the skin heads tight. 1976 $929 In June of 1976 the price rose to $999, and two new finishes were added: tobacco sunburst and natural maple. bands even in the early 1890s. It will be interesting of one of the BHO members has a vintage Kay catalog with that particular banjo. Late 1960's Gibson Logo around 1969 with no dot over the "i". Gibson started making banjos in 1917. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. JR, jumbo size guitar with East Indian rosewood back & sides, chrome tuners. LoPrinzi Guitars most from Plainsboro New Jersey. The swing of a lathe is measured as the total diameter of a finished turned piece, such as a wood bowl. cases they carry no identifying name at all. Electric guitars having the serial number on the back of the headstock. G Edward Porgie - Posted - 06/16/2021: 14:40:30. The early instruments built in Nashville suffered from inexperienced workers and climate-control problems in the humid South. Kay company banjos were normally not that high-quality but this one is different. They were too late Gibson owned the market and the Martins were dropped 6 years later having only sold about 540 combined. Frets refers to the number of frets that are clear of the body. Here's the photo gallery that I put together:velkdesign.com/assets/banjo/. The original partners were Fred and Cassie Bacon and Mr. and Mrs. Oliver Winship. and many were left unmarked. Made in USA. The more economical Student Grade instruments were often ladder braced. These can exist on any model numbers including the A-jr. To confuse matters, they also manufactured Bacon banjos that had been developed by Fred Bacon: the Professional, the Orchestra and the Blue Ribbon. This is a headstock that tapers from narrow at the top to slightly wider at the base (the reverse of the traditional Gibson headstock shape). Like everything else connected to instrument identification issues there are many exceptions. Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. 2 foot pressed arm rest and flat head tone ring. expressed on the sides and back of the 1934 versions. Most have the patented L&H tailpiece shown in the inset. Numerous articles in Vintage Guitar Magazine over the years. They were available in steel string or classical. Modern Gibson Logo open "b" and "o". Martin introduced their versions of acoustic-electrics: the D-18E in 1958 and D-28E in 1959. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. The fingerboard of the L-5S is in with select abalone. RB -- regular banjo (5-string) TB -- tenor banjo. Lyon & Healy routinely used talon or patent 1897 Most were 3-piece solid maple bodies. Ironically the first blond J-45s were actually built in July of 1942 (Called the J-45N for Natural) and the actual number of these shipped is not known for sure. Larger top braces used, and bigger solid wood bridge plate and larger bottom-belly bridge. It is most common after 1923 when most Gibson model As had this shape. USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock. Jul 15, 2021 - A study of banjo head peg heads. Music Love. The numbers are preceded by letters: A, B, C, or D which indicate the series. In general, the Larsons used fancier hardware on the more expensive instruments so the date of the hardware should coincide with similar instruments of the period. In 1941 the fretboard became Brazilian rosewood. It is the only typical American (USA) instrument, starting off as an instrument of the African slaves, then via the Minstrel Shows becoming part of typical American music styles like Jazz, Dixieland, Bluegrass, etc. The Jumbos had a slight V shaped neck with the Gibson truss rod and a pointed French heal somewhat unusual for Gibson. tailpieces (see fourth row of pictures below) on many of their unmarked banjos, and their DVD-quality lessons (including tabs/sheet music) available for immediate viewing on any device. Some SJNs with plastic Special Bridges. Bridges: Ebony Sometimes with a flattened pyramid rectangular bridge shape. It was the innovations of the Loar period: 1921 through 1925 that saw the introduction of the truss rod, adjustable bridges, bracing adjustments, thinning and grading of the tops and numerous other refinements to create the standards that are still used today. ', 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo', 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head', '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck'. Banjos with pegheads like that shown in the first picture below are usually made by Buckbee. The Gibson stamped on tailpiece cover and inlaid in headstock. . Many have no identification at all. Presentation banjos often turned up at NAMMand other shows. A flourish inlay under The Gibson in the headstock. To accommodate the pickup, the standard production neck was pushed up to a neck-body joint at the 15th fret. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. Schall hardware is pretty unique and the fifth Back & Sides: Mahogany but some released as Brazilian rosewood. LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . Neck s/n DA5063 with L&B headstock inlay: T. Biggs : 1932 : 66-1: PB-3 : Shipped August 7, 1935: Gibson Shipping Ledger : 1932 : 66-2: PB-3: Flathead: 1-piece: F/FF = Factory code (No factory designator for some 1993 and earlier models) Y/YY = Year of manufacture (Single digit for some 1997 and earlier models) MM = Month of manufacture. These appear to have a unique serial number scheme. At least then you will know the model name. Ironically, after almost 40 years of making some of the worlds finest banjos, the Bacon and Day banjos were the first to carry David L. Days name. B-series Factory location: Grand Street, New York City from 1972 to 1973. An entire bin was a "lot" and would contain 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. Gold-plated tuning gears, LOTS of abalone inlay. Grupo Musical. Generally harp guitars, L.H. Gibson had changed its neck profiles and headstock shape on the successful J-Series. The decade following saw a change in finish from varnish to shinier lacquer. 1946 onward: No feet the bottom of the bridge flush on the instrument top. Our 19th Year * Sign Up Now Some laminated maple necks with two walnut stripes down the center (5 piece neck), most with no truss rod (war time meallocations), Neck shape large and round (Baseball Bat) due to lack of truss rod, Poplar neck blocks. In some cases there are no pickguards. There are also examples of A-2Zs without the Z on the lable but still sporting the black perfling line. Good size logs of spruce were government controlled during the war and were not easily available shortly after. There are no manufacture's labels or stamps on it. This moved the X away from the soundhole a bit. The top and back are lightly arched, producing the deepest measurement in the center of the guitars body. The Mark Series, though not a wild success in terms of overall sales, did sell reasonably well. It might be a Fairbanks or Stewart, but there is no name anywhere on the instrument. The narrower guitar sizes allowed for available materials. If you continue, we will assume that you agree to, http://www.banjohangout.org/archive/276603, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023', 'Pisgah Banjo Company banjo raffle extended to March 10', 'Flinthill FHB-300 - Killer bluegrass banjo for the money! MK-35 models were mahogany back & sides, rosewood fingerboards with dot inlays & nickel hardware. Art Studios. Mid 1950s: the pickguard changed from the teardrop to the larger undulating shape like the pre-war J-35s.

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